The various shades of grey that line the surface of apparently "deeper" superhero films, such as Christopher Nolan's Batman trilogy, are mere distractions from the utter ridiculousness of the core concept: a man in a costume fighting crime! As such, taking superhero fare seriously amplifies both its absurdity and fascist overtones. The superheroes present a very simple solution to the complexities of the modern world. Why is it possible to soberly dissect melodramas, thrillers, even comedies-is it because they rank as "high culture," and are therefore immune to petty, juvenile arguments? Or is it because superheroes have somehow become the embodiment of popular culture and consequently impossible to doubt, for fear the whole lot may crumble away?
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If a critic takes a superhero movie seriously and chastises it for its shortcomings, fans pounce with the age-old mantra: "It's only a comic book film!" But if the critic dismisses a superhero movie, the fans shout: "There is real meaning to this work, and you are biased." As such, the critic can't win. These films have a tightly knit audience.
But don't see this reprehensible movie.Ĭriticizing superhero films tends to put the reviewer slightly lower on the ladder of popularity than the bloke that shot Bambi's mother. the target audience of this movie, I feel it is my duty to say: Don't see this film. But for those with horrid taste in cinema, questionable politics, and terribly short attention spans, i.e. I would like to get that pertinent fact out of the way before we discuss it properly.
"Kick-Ass 2" is one of the year's worst films.
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